 Artist: Flashlight Brown: mp3 download Genre(s): Other Discography:  Should I Stay Or Should I Go C Year: 2004 Tracks: 1  Butterball Year: 2004 Tracks: 1 Flashlight Brown featured guitarist/vocalist Matt Hughes, drummer Tim Thomson, bassist Fil Bucchino, and guitar player Mike Conroy. Rocking kayoed of Guelph, Ontario, in 1996, the four-spot pals in the first place leaned toward a ska-inflected punk rock candy wakeless. They issued an eponymous album that like year on the Montreal indie STOMP, but stirred to Double A for the Running Season LP a class later. Flashlight had by now accomplished a angered touring agenda, and backed up their asphalt time with an active land site. By 2000's Self-Titled Again (Matrimony 2112), the quartette had for the near part excised the ska influences from their punk-pop rut, and had added the "Robert Brown" to their call. More touring followed, until a tardy 2002 vitrine in L.A. light-emitting rectifying tube to a deal with Hollywood. Rob Cavallo -- far-famed helmer of Green Day's Dookie -- sign-language on to produce the band's major-label debut, and in April 2003, it appeared. My Degeneration featured a few new tracks and re-recordings of existent real; Flashlight Brown supported it with a minitour of American high schools, as well as a series of more proper dates on Lollapalooza and at regular clubs that summer. |
Tuesday, 26 August 2008
Download Flashlight Brown mp3
Saturday, 16 August 2008
Folk review: Loudon Wainwright III, Recovery
Recovery is, of track, a wordplay from the dad of Martha and Rufus. Alcoholism ('Drinking Song'), and long-distance touring ('Motel Blues') ar there, but it's likewise all dinosaur-excavated reworkings from his early 1970-73 calling. There ar great finds - 'Man Who Couldn't Cry' - but some bones are best unpolished. 'Muse Blues' says it: 'Oh muse, where ar you?/ I don't know what to do...'
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Thursday, 7 August 2008
Monday, 30 June 2008
Marshall Law
Artist: Marshall Law
Genre(s):
Metal: Heavy
Rock: Hard-Rock
Discography:
Metal Detector
Year: 1997
Tracks: 13
Powergame
Year: 1992
Tracks: 10
Marshall Law
Year: 1989
Tracks: 11
Formed in heavy metal's birth-city of Birmingham, England, Marshall Law arrived at a time -- the recent 1980's -- when pure, unadulterated big metal had interpreted a noticeable back seat to more than extreme genres like toss and the yin to its yang, glam. Founding members, singer Andy Pyke (ex-Damien) and guitarist Dave Martin (ex-Shadowlands) were both veterans of the local saloon picture, and aboard bit guitarist Andy Southwell, bassist Malcolm Gould and drummer Mick Donovan, they cursorily set about shopping their 1988 "Future Shock" demonstration to record companies. FM Revolver finally snapped them up and 1990 adage the acquittance of Marshall Law's eponymous debut, soon to be followed by 1991's Power Crazy E.P., featuring a newfangled musical rhythm section in bassist Roger Davis and drummer Lee Morris. Both releases boasted a traditional metal sound that earned the radical a rather unfair reputation as Judas Priest clones (the similarities existed, but were scarcely overpowering), and 1993's sophomore full-length, Powergame, although better and more than diversified, was sadly ineffectual to dispel these allegations. None of it seemed to matter when Marshall Law deep in thought their record deal the following class, however, and by September 1992, they had performed their leave show and formally disbanded. But they rebounded in 1996 with a new contract courtesy of indie alloy stalwart Neat Records, which signaled Marshall Law's return with a long-shelved live album that they named Law in the Raw. The next year's Metal Detector adage drummer Lee Morris, wHO had already moved onto join doomsters Paradise Lost, replaced by a metal drum political machine (covertly named Glen Viner by the band), simply an actual living human, Chris Green, was present behind the kit for 1999's Warning from History. Arguably Marshall Law's to the highest degree successful composition yet, the album benefited from client appearances by other Grim Reaper vocalist Steve Grimmett and Magnum guitar player Tony Clarkin, and lED to tours of Europe and South America. But little has been heard from the isthmus since, with its members involving themselves with diverse projects while still heavy a Marshall Law reunification at some tip down the assembly line.
Wednesday, 25 June 2008
Halo-8 infected with indie 'Pink Eye'
James Tucker's indie feature from scribe Joshua Nelson
NEW YORK -- Halo-8 Entertainment has picked up worldwide rights to the gory horror flick "Pink Eye," featuring the writer, director and star of Lionsgate's "Skinned Alive."
James Tucker's indie feature, from scribe Joshua Nelson, follows a masked lunatic who escapes a small-town insane asylum where patients are subjected to bizarre drug experiments. Melissa Bacelar stars.
Halo-8 plans a limited theatrical release this summer, followed by a DVD bow Sept. 30.
The distributor, which has focused on cutting-edge features like the animal rights activist documentary "Your Mommy Kills Animals," will presents its new line of comics and graphic novels Thursday at the Wizard World Chicago convention.
Matt Pizzolo, director of Halo-8's "Threat," wrote two of the publishing arm's first titles.
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Monday, 16 June 2008
Brian Eno and Harold Budd
Artist: Brian Eno and Harold Budd
Genre(s):
Ambient
Retro
New Age
Discography:
The Pearl
Year: 1984
Tracks: 11
Ambient 2: The Plateaux Of Mirrors
Year: 1980
Tracks: 10
Ambient 2 The Plateaux Of Mirr
Year: 1980
Tracks: 10
Na Ozzetti
Sunday, 1 June 2008
Amy Winehouse - Winehouse Slams Bond Bosses For Song Delay
Troubled singer AMY WINEHOUSE has hit out at movie bosses behind forthcoming JAMES BOND film QUANTUM OF SOLACE - for taking too long to decide whether to use one of her songs as the theme tune.
The Back To Black hitmaker recently confirmed she has been working on a possible title track for the 007 picture and is just waiting for film chiefs to give her offerings the green light.
But the star admits she is frustrated that they are taking so long to give her an answer.
She says, "I've done loads of Bond songs, there are loads of good ones I'm really happy with.
"I don't know what is wrong with them or what the problem is, to be honest. It's there, ready and done, and it's up to them if they want it or not."
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